There’s a large caveat on the electronic shutter mode part, though. Those are the same maximum frame rates as the $6,000 EOS R3, which makes it great for sports or wildlife shooting, particularly as it has a built-in zoom with the 1.6 times crop factor. The R7 is a speed-demon of a camera, shooting 15 fps bursts with continuous autofocus using the mechanical shutter and an incredible 30 fps using the electronic shutter. Finally, it has a nice dual UHS-II card setup for easy backups and relatively fast shooting. It has both headphone and microphone jacks, along with a micro-HDMI port that’s unfortunate but par for the course with APS-C cameras. ![]() It allows for a solid 660 shots on a charge, or well over 90 minutes of oversampled 4K 24p video recording. For things like bird shooting that require a sharp view to judge focus, this may be an issue.Ĭanon made a good choice using the same battery from the R5 and R6, rather than the smaller one found on the R10. You get just 2.36 million dots of resolution, compared to 3.68 million on the X-T4 and GH5-II. The OLED viewfinder is a bit disappointing, though. I’m less fond of them, as I still have trouble finding settings. The menus are typical Canon, which Sam actually prefers to Sony. The R7 has a fully articulating, responsive 1.62-million dot display that gives you full control of the menu, playback, autofocus and other things via touch. You can also use any EF lenses you have lying around with Canon’s RF to EF adapter. If you do need a faster prime right now, Canon’s $180 RF 50mm f/1.8 or $500 RF 35mm f/1.8 Macro are possible options, but both have an equivalent 1.6 times focal length due to the crop factor. Neither is fast nor particularly sharp, but they’re inexpensive and versatile for casual users. The 54mm RF mount also used on full-frame cameras looks cartoonishly big on the small body, but it means you can attach RF lenses like the $2,300 50mm f/1.2 That’s good, because Canon has only two RF-S lenses so far, the 18-150mm f/3.5-6.3 and the 18-45mm f/4.5-6.3. Apart from that, the R7 handles nearly as well as the X-T4, and a lot better than any of Sony’s current APS-C cameras. ![]() It’s certainly manageable through some dedicated buttons, and you can reprogram the control ring on any Canon RF lens, including the two new models, to change the aperture or other settings. The lack of a third dial for changing things like ISO is an issue, though. It didn’t take long to get used to it, though, and Sam noticed that it was easier to change settings or move the focus point one-handed while still keeping a solid grip. I wasn’t too sure about that when I first saw it. Instead of putting it on the right where the on/off/video switch is now located, it’s well to the left of that and in a vertical position, wrapped around the joystick. There’s a control dial on the front of the grip as usual, but Canon tried a new approach with the rear dial. It has a deep grip that’s comfortable and provides stability, even with big lenses. The big mount supports both RF and the new RF-lenses designed for the R7 and R10. It looks small in hand but is actually fairly hefty at 612 grams – not much less than the full-frame R6 and considerably more than the 503 gram A6600. ![]() The EOS R7 has a classic Canon look, and while it’s not quite as pretty as the X-T4, I like the design more than Sony’s boxy APS-C cameras. Update your settings here, then reload the page to see it. This content is not available due to your privacy preferences.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |